![Image of a darkened corner in the Potlatch Gallery with a cedar chest visible in the foreground.](panos/2/mres_b/l1/1/l1_b_1_1.jpg)
![Corner of the Potlatch Gallery showing a large cedar post and a group of wolf masks.](https://s3.amazonaws.com/synthescape-umistapotlatch/panos/2/mres_l/l1/1/l1_l_1_1.jpg)
![Corner of the Potlatch Gallery showing a group of masks and headdresses from the potlatch collection](https://s3.amazonaws.com/synthescape-umistapotlatch/panos/2/mres_f/l1/1/l1_f_1_1.jpg)
![View from the west end of the Potlatch Gallery showing the north side and entrance wall.](https://s3.amazonaws.com/synthescape-umistapotlatch/panos/2/mres_r/l1/1/l1_r_1_1.jpg)
Wolf pictograph near Kingcome Inlet
![Two colour photographs depict wolf pictographs inscribed on rocks located near kingcome inlet](img/labels/pano_2/peinture_rupestre_de_loup-wolf_pictograph.jpg)
The origin story of the Dzawada’enuxw (people of Kingcome Inlet) describes a wolf who became a man and founded their tribe. To represent their identity as descendants of the wolf, Kingcome people use the wolf as a crest figure on their button blankets, totem poles, jewelry and tell this story through the wolf dance.